And here are the songs I was posting about the other day… I am still shocked at this, and they really bring back memories of my old studio, as well as the countless hours spent trying to get a sound *just* right.
The demos are the original arrangements, with very few FXs. While most of the content was found in the final version there were tweaks here and there. None of these were mastered, they are as raw as you can get.
First up, Afterglow.
The demo captures the “thick” phaser sound I wanted on the high hats. It also creates a very big head space, almost giving the impression that this is taking place in a large hall… I remember playing this over and over and over in my car late one evening.
Download the Afterglow demo here. (The final version can be found here)
Next up, Morning After.
Little did I know what this song was going to become to me, and so many other people. The main structure is there but the strings are different, the kick is different, all of the FXs are missing, and the tempo is a wee bit slower….
Download the Morning After demo here. (The final version can be found here)
And finally, the classic Naked.
The programming of the beat took me FOREVER. This was, actually, the first demo in the entire ArS session and set everything in motion. The piano arrangement is slightly different, a slightly thinner choice of high hats, a totally different set of strings was used and the bassline was really set to stick out in this…
Download the Naked demo here. (The final version can be found here)
Now… this is where things get interesting.
I did a number of tracks that didn’t make it into the final release of the EP, here are two that – for whatever reason – I thought were not worth refining/developing into full tracks.
Now, looking back, I have NO CLUE as to what I was thinking. Both would have ended up as strong songs….
Here is the unfinished Next To You… and the soft, atmospheric, potential filled Your Soft Touch.
Really, no clue what I was thinking with these two.